Lotus

Little Simz

Review

Three years on from the Mercury Prize triumph of *Sometimes I Might Be Introvert*, Little Simz returns with her most emotionally exposed work to date. "Lotus finds her reeling from trauma" rather than basking in the critical acclaim that has rightfully positioned her as British rap's most compelling voice. The album opens with the seething "Thief," a track that cuts straight to the bone with its unflinching examination of betrayal. Here, Simz wields her pen like a scalpel, dissecting the aftermath of broken trust with surgical precision. It's a stark opener that sets the tone for what follows – thirteen tracks of unflinching self-examination that strip away any pretense of imperviousness. What makes *Lotus* so compelling is how Simz transforms personal anguish into universal truth. "After burning the bridge with her manipulator, Simz bolsters her hard-won confidence" on standout tracks like "Lion" and "Enough," where funk grooves and highlife rhythms become the sonic foundation for hard-earned self-affirmation. The production throughout is refreshingly organic, favouring live instrumentation over the trap-influenced beats that dominate contemporary rap. It's a bold choice that pays dividends, allowing Simz's intricate wordplay and emotional vulnerability to breathe. When she explores the complexities of family relationships on "Blood," the interplay between rancour and devotion feels genuinely lived-in rather than performed. "Lotus is gentle and beautiful like the flower, representing growth and rebirth" – a sentiment that captures the album's essence perfectly. This isn't the bombastic proclamation of greatness we might have expected following her Glastonbury triumph, but something far more valuable: a document of genuine artistic growth. If there's a criticism to be made, it's that the album occasionally drowns in its own introspection. Some tracks meander when they should stride, and the emotional weight can feel overwhelming across the full runtime. But these are minor quibbles with what is ultimately a brave and necessary artistic statement from one of Britain's most vital musical voices. *Lotus* confirms what many have long suspected – Little Simz has evolved beyond the confines of any single genre, emerging as a singular artist capable of transforming personal trauma into something approaching the sublime.

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Info

Little Simz released her sixth studio album Lotus on 6 June 2025 simultaneously in both the UK and US markets through AWAL and her own Forever Living Originals label. The album marks a significant departure from her previous collaborative relationship with producer Inflo, who had worked on her last three releases. Instead, production was handled entirely by Miles Clinton James, creating what the artist describes as "a tapestry of sonic influence" that aims to "embody renewal and growth." The recording process represented a journey of artistic independence for the London-based rapper, who had previously relied heavily on Inflo's distinctive production style. Lotus marks the rapper's departure from longtime collaborator Inflo who produced and co-wrote her last three albums, signalling a new creative chapter in her career. While specific recording studio locations haven't been disclosed, the album's organic sound suggests a more intimate recording environment compared to her previous releases. The thirteen-track album features an impressive roster of guest appearances, including Obongjayar, Moonchild Sanelly, Moses Sumney, Michael Kiwanuka, Sampha, and Wretch 32 among others. Lotus is a hip hop album containing elements of jazz, punk and funk, showcasing Little Simz's continued evolution as an artist willing to push beyond traditional genre boundaries. The album serves as both a personal reclamation manifesto and a sonic rendering of her artistic growth following the critical acclaim of her Mercury Prize-winning Sometimes I Might Be Introvert.

Tracklisting

  1. Thief
  2. Flood
  3. Young
  4. Only
  5. Free
  6. Peace
  7. Hollow
  8. Lion
  9. Enough
  10. Blood
  11. Lotus
  12. Lonely
  13. Blue
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