Review
"Dogrel," the debut album by Fontaines D.C., is a raw, invigorating blast of post-punk energy that captures the restless spirit of modern urban life. With its gritty, poetic lyrics and propulsive rhythms, it provides a visceral experience from start to finish. Anchored by Grian Chatten's distinctive vocal delivery, the album offers a vivid portrait of Dublin's streets and characters, blending social commentary with personal introspection. Tracks like "Big" and "Television Screens" showcase the band's knack for crafting anthemic choruses, while "Roy's Tune" reveals a softer, more introspective side. The production maintains a rough, garage-band edge that enhances the album's authenticity and urgency. Overall, "Dogrel" is a compelling and confident debut that announces Fontaines D.C. as a force to be reckoned with in the contemporary music scene.
Info
"Dogrel" is the debut studio album by Irish post-punk band Fontaines D.C. It was released on April 12, 2019, in both the UK and the US. The album was released under the Partisan Records label. "Dogrel" achieved significant commercial success, peaking at number 9 on the UK Albums Chart, though it did not chart on the US Billboard 200. The recording of "Dogrel" took place at Darklands Audio in Dublin, Ireland. The album was produced by Dan Carey, who is known for his work with artists such as Kate Tempest and Black Midi. "Dogrel" received widespread critical acclaim for its raw, energetic sound and vivid lyrical portrayal of working-class life in Dublin.
Tracklisting
- Big
- Sha Sha Sha
- Too Real
- Television Screens
- Hurricane Laughter
- Roy's Tune
- The Lotts
- Chequeless Reckless
- Liberty Belle
- Boys In the Better Land
- Dublin City Sky